All posts by Shawn Thorpe

About Shawn Thorpe

Shawn is a freelance media technician and podcast consultant living in San Luis Obispo, CA. | Blog | Twitter

Switcher Studio Is a Multi-Camera Capture and Streaming Solution



Switcher Studio logoCreating a multi-camera video shoot has always been a challenge. Producers have to set up different cameras, assign camera operators, run those cameras thru a switching device, assign a technician to the switcher, and have the capacity to direct everything (and everyone) in real time. Video products like NewTek’s TriCaster have made the process easier. But TriCasters don’t come cheap, and now that we’re all walking around with devices that have built-in HD cameras, it seems only obvious that we should be able to put those devices to work in a multi-cam setting. And that’s exactly what Switcher Studio was made to do.

Switcher Studio allows producers to record video and stream live to a number of popular platforms, such as YouTube, Facebook, Ustream, Twitch, and other RTMP-compatible services. The video production is managed using Switcher Studio’s Director Mode feature:

Use Director Mode to record 1080p HD video. This feature allows you to disable the built-in camera on the main mixing device and connect up to 4 additional iPhones or iPads as sources. Tapping “Rec+Broadcast” triggers a recording on each connected device so you have full quality video from each angle regardless of any glitches or hiccups on the network.

When the production is complete you can composite the video from all angles with any edits made during your event. The final video can then be uploaded directly to YouTube or sent to your computer so you can make additional edits using Final Cut Pro X. Director mode can also be used in combination with a streaming video platform so you can broadcast at a lower bitrate while capturing full HD video to upload for on-demand playback after your production.

Switcher Studio offers a full suite of effects and features to make professional-looking videos:

  • Manage transition type(s) and duration or use the multi-view feature to cue multiple sources simultaneously
  • Select from layouts like dashboard, slots, flap and picture-in-picture or layer other content in your production
  • Add photos from your camera-roll or insert an image during your production
  • Prepare lower third graphics and logos to include in your broadcast
  • Take photos with another device and link with your iCloud account to update assets on the fly
  • Bring your computer screen in as a source (Pro account required)
  • Connect the primary Switcher to a TV or projector for viewing using a HDMI adapter or Apple TV via AirPlay support (Pro account required)

The most impressive feature of Switcher Studio is its ability to connect and control different mobile devices as individual cameras:

You can use the built-in camera of your mixing device as the primary camera or wirelessly sync up to 4 other iOS devices for multi-camera productions. Simply install Switcher Studio on any iOS device and select “Use as camera” from the welcome screen to connect as a source on the primary device. All devices communicate over a local wifi network and you can easily increase the distance between devices by expanding your network. Use Switcher Studio and capture unique perspectives to go where no one has gone before.

Switcher Studio is available under three different tiers. The free tier allows users to broadcast for up to 30 minutes a day for free. The Basic tier is $20/month and it unlocks more of Switcher Studio’s features. The Basic tier also has no limit on the amount of time video streams can last. For $25/month or $299/year, users can pay for Switcher Studio Pro, which offers the service’s full suite of options, including being able to connect up to four different iOS devices as cameras.


Zoom U-24 Is a Streamlined Portable Recording Interface



Zoom U-24Zoom is an audio-equipment manufacturer best known for its portable recorders. Its H2, H4n, H5, and H6 Handy Recorders are widely cited as some of the best devices for remote gathering of audio. While Zoom’s recorders are designed to be all-in-one products, with microphones and recording capabilities built-in, Zoom’s newest product, the U-24 is a portable, high-quality audio interface.

Zoom is billing the U-24 as the “go-everywhere interface:”

The bus-powered U-24 packs all the essential tools into a compact form factor that fits in the palm of your hand. Record with mics, instruments, and more at home or on the go—the U-24 is iPad compatible and small enough to take anywhere. It can even run on just two AA batteries for recording in the most remote locations.

Here are some technical details:

  • Two combo microphone/instrument jacks, featuring a Hi-Z switch and 48v phantom power
  • Two sets of stereo line-out RCA jacks for connecting to external recorders or other gear
  • One set of 1/4″ main line-out jacks for connecting to audio monitors
  • One 1/4″ headphone jack with independent volume and balance controls
  • Mute controls for each input channel
  • USB and MIDI I/O jacks
  • Bus powered, battery powered, or powered via optional A/C adapter
  • Connect to iPad with Apple iPad Camera Connection Kit or Lightning-to-USB Camera Adapter
  • Zero-latency direct monitoring

The Zoom U-24 is currently available for $150 at most musical instrument and audio equipment vendors. For more information on the device, click the link at the top of this post.


WinX Video Converter For Mac/Windows Is Free Until Next Week



WinX Video ConverterCreating video files can be a real hassle. Different devices, different operating systems, different web browsers and applications, all have their own requirements when it comes to presenting video. Ideally, video producers could just offer one “master” file for distribution, and all of those different outlets would adapt that master file to their needs. But it truly is less than an ideal world when it comes to video distribution. That’s why it’s important to be able to offer video productions in as many formats as possible. But it’s not always easy to know which formats to use or how to create them. That’s where the WinX Video Converter application from Digiarty comes in.

WinX Video Converter is available for both Windows and MacOS. Here are some of the program’s features:

  • Video converter that supports 1080p multi-track video MKV, M2TS, AVCHD, HDTV and BDAV
  • Convert video between AVI, MP4, H.264, WMV, MPEG, FLV, MOV, 3GP, QT, TS, MOD, TOD, and more
  • Support for merging, croping, trimming and adjusting parameters to control output size and quality
  • comes with diverse device presets for iPad Pro/mini 4/Air 2, iPhone SE/6S/6 (Plus)/5S, Apple TV (4), iTunes, Android, Samsung Galaxy Note 5/S6 edge+, HTC One M8, Google New Nexus 7, Chromecast, Amazon Kindle Fire, Surface Pro 3, WP8, Xbox, PSP, and more

Digiarty is offering a special free version of Video Converter thru Monday, July 11th. The Mac version can be downloaded here. The Windows version can be downloaded here.


Tascam’s iXR Is a Music Studio That Fits in a Bag



Tascam iXRIt’s become increasingly easier over time to capture and create audio in remote locations. No longer is it necessary to be tied to a room full of expensive gear in order to record vocals or produce instrumental tracks. Tascam’s latest digital audio interface, the iXR, was designed with this in mind. The iXR is extremely portable. Hence, it’s designation as “a music studio that fits in a bag”.

Tuscan’s iXR audio interface is a true solution for audio producers on the go. The iXR is MFI-compliant, so it can be connected directly to an IOS device via Lightning cable. No USB adapter required. Producers can use the iXR to quickly access a plethora of sound-related apps, such as multitrack recorders, effects processors, software synthesizers, and more. The iXR also has a standard USB 2.0 connection, so it can be used with desktop computers and other USB-ready devices.

The iXR comes with two built-in XLR/TRS jacks that allow for microphones or instruments to be connected directly to the device. There’s also onboard phantom power for use with condenser microphones. For monitoring, there’s a headphone jack as well as a pair of balanced line outputs that can be sent to powered monitors. The headphone volume jack works independently of the line outs, so these monitoring sources can operate at different volumes. There’s also a pair of standard MIDI I/O jacks for connecting keyboards and other MIDI-capable devices.

Pricing and release information are not yet available for the Tascam iXR.


Line 6 Helix Software Editor Released



Helix EditMusical instrument and audio equipment manufacturer Line 6 made waves in the guitar gear field when the company released the Helix processor last year. The Helix is Line 6’s first next-gem level processor, packed with high-end hardware and software designed to give guitarists access to the best possible tones.

The Helix processor itself comes with one of the industry’s largest built-in displays. But Line 6 promised it would release a computer-based application guitarists could use to create and edit Helix patches. (This follows suit with other Line 6 products that have also had their own computer-based editors.) When Helix units first shipped, the software editor was not yet available. Making good on its promise, Line 6 has now delivered its computer-based software editor for the Helix. From an e-mail sent today by Line 6:

Drag and drop amps, cabs, and effects to build complex signal chain
Quickly reorganize, rename, edit tones, and modify footswitch labels

Visualize every detail of your tone editing workflow on your computer

The Helix Edit application is a free download from the Line 6 website. In order to find it, go to the software download page, select “Helix” from the products menu, leave the software menu set to “All software,” select the appropriate OS for your computer from the operating system menu and then check the “Beta” box on the right before clicking the Go button. The Helix Edit software will come up as the first downloadable item on the next page.


SportPod Is a Monopod For Smartphones, Tablets, and GoPros



SportPodWhether it’s for personal use or as part of a large-scale production, getting the right shot is crucial to any video. But if you’re in a situation where set up time is at a minimum, you don’t want to be strapped down with loads of gear that will require a lot of time and energy in the teardown/set up process. What if getting the perfect shot for the next scene was as simple as putting a small pole into the ground, mounting and adjusting your camera, and pressing record? That’s exactly what the SportPod is designed to do.

The inspiration for SportPod is right in the name. SportPod’s inventor wanted to find an easier way to record his own golf swing so he could analyze the footage to make improvements in his game. SportPod could certainly be used for a lot of different sports-related activities. But given its ease of use and adaptability, videographers across the board will likely find plenty of good uses for SportPod.

SportPod is a monopod (as opposed to tripod) that can be adjusted from two to four feet off of the ground. It comes with a ball mount that can be used with smartphones, tablets, GoPros, and most point-and-shoot cameras. This mount offers a 360-degree range of motion, making it easy to get the right shot in the moment. SportPod is easily broken down so it can be moved quickly from one location to the next.

The inventor of SportPod is running a Kickstarter campaign to get the device into production. The campaign is about 30% funded with 22 days left to go. Pledges starting at $35 entitle backers to a SportPod with smartphone attachment. Prices go up from there, depending on what type of SportPod attachments you’d like to use.


NewTek Brings NDI Technology to Adobe Creative Cloud



NewTek LogoLast fall, NewTek, the Texas-based hardware/software developer renowned for its media and broadcast products, announced the launch of its new NDI protocol for transmitting video over digital networks. Since then, NewTek has been working with third parties to help expand the adoption of NDI. Last month, NewTek announced it would bring NDI to Adobe’s Creative Cloud family of applications and services:

The NDI integration enables users of Adobe Premiere Pro CC, Adobe After Effects CC and other Adobe Creative Cloud applications to send real-time video and audio to any NDI-enabled receiving product, such as production switchers or capture cards, across a standard Ethernet network. With NDI for Adobe Creative Cloud, creators and producers can significantly accelerate their pre- and post- production pipelines, bypassing rendering and uploading of creative elements for a faster, more efficient delivery for content review and approval. It also allows teams in different locations to work together in one interface in real-time, making creative decisions collaboratively—and saving valuable time in the process.

NewTek’s NDI plugin for Adobe Creative Cloud is available thru a $9.99 monthly subscription from the NewTek Store. The NDI protocol itself is now available as a royalty-free software developer kit for any company looking to establish IP workflows within their organization, or in production tools and systems they manufacture.

 


Interactivity Will Be Focal Point of ATSC 3.0



ATSC LogoATSC 3.0, the new standard that will soon be launched by the Advanced Television Systems Committee, will be more than just a protocol for the transmission of audio and video to viewers. ATSC 3.0 will also have an interactive side that could foster a new wave of app development for both terrestrial and online broadcasters. ATSC 3.0 will allow viewers to have experiences with their TV sets that are close to what they’re already getting with smartphones and tablets.

This interactivity comes courtesy of ATSC 3.0’s compliance with W3C standards for internet communication. Developers will be able to create apps that can now run in a web browser. This offers a wide range of potential opportunities for broadcasters and content producers. For example, if viewers are watching a news broadcast, developers using these new standards could create apps that aggregate related news items alongside the broadcast. Programs that include viewer polls or voting systems could benefit by building those interactive features right into their apps, instead of asking viewers to call an automated phone system or visit a website. ATSC 3.0 will also make it easy for viewers to opt into targeted commercial and marketing offers.

The rollout of ATSC 3.0 and its interactive components will take place later this year. The upcoming 2016 ATSC Annual Broadcast Conference is being billed as the “Countdown To Launch” of ATSC 3.0. The conference will host a series of events relevant to the release of this new broadcast standard.


Mevo Is the 4K Live Event Camera



Mevo cameraSometimes the best practice for capturing a live event is to have multiple cameras. But setting up these kinds of shoots can require lots of extra (not to mention costly) equipment. It can also be technically challenging to set up a multi-cam rig, as different manufacturers and models may have their own requirements for audio-video connections that may or not match each other. Could it be possible to deliver a robust multi-angle video presentation that uses only one camera? The new Mevo camera proves that this is indeed possible.

Mevo is a 4K camera that is controlled with an attendant iOS app. The app allows users to select specific sections of a live video and then “cut” to those sections as closeups, creating a multi-cam experience for the viewer. Filming a concert and you’d like to cut between a wide shot of the stage along with closeups of invidicual players? No problem. Just tap on one of the performers in the Mevo iOS app and the camera does the rest for you, switching seamlessly from the wide shot to the closeup.

Mevo makes it easy to cover remote events. The camera can stream over Wi-Fi or LTE internet connections. Mevo can also be connected via USB to a host device such as a laptop computer for further processing. Mevo is compatible with Livestream and Facebook Live right out of the box. Mevo is available for preorder at a special price of $299. That includes a $100 discount that expires once the preorder period ends.


Slick Stabilizer Is A Motorized Camera Steadycam



Slick StabilizerNobody likes watching video that’s bouncing and jerking around the frame. Some cameras come with built-in stabilizers to try and solve the problem. But those kinds of stabilizers can only do so much. There are high-end solutions like the Steadicam harness. But they’re very expensive and require special training to operate. Wouldn’t it be great if there were a middle ground between these two solutions? That’s where the new Slick Stabilizer comes in.

Slick Stabilizer is compatible with GoPro cameras. Using standard GoPro mounts, users can attach Slick to any of their favorite accessories – like a helmet, a pole, a dog, a chest mount, a drone, or even a surfboard. Slick is also the world’s first waterproof stabilizer. Slick can be used with water sports like surfing, sailing, kayaking, and kitesurfing. Here’s how Slick works:

SLICK uses motors and sensors: each of the camera’s motorized three axes is driven by a micro-controller, so that the camera stays perfectly level regardless of the kind of terrain you’re moving on.

SLICK is compact and very simple to use:

1) Attach your GoPro camera to SLICK

2) Attach SLICK into your favorite GoPro mount — they are all compatible

3) Switch it on and kick off the action!

Slick was launched thru a successful Indiegogo campaign. The product is currently in development and Slick’s designers are hoping to unveil a prototype soon. It’s still possible to preorder a Slick thru the Indiegogo page at an early bird price of $229.00.