Category Archives: Information

Line 6 has Free Firmware Updates for Helix 2.81 and Helix Native



Line 6 is offering a free Helix firmware update that introduces 16 new amplifier and effects models, along with several new features, including the ability to adjust Powercab parameters via L6 LINK for control over your entire rig.

You get:

8 New Amps: (Helix Floor, Helix Rack/Control, Helix LT, Helix Native, and HX Stomp only)

  • Fullerton Nrm, based on the classic 1958 Fender 5C3 Tweed Deluxe (normal channel)
  • Fullerton Brt, based on the classic 1958 Fender 5C3 Tweed Deluxe (bright channel)
  • Fullerton Jump, based on the classic 1958 Fender 5C3 Tweed Deluxe (jumped channel)
  • Grammatico Nrm, based on the modern 2016 Grammatico LaGrange (normal channel)
  • Grammatico Brt, based on the modern 2016 Grammatico LaGrange (bright channel)
  • Grammatico Jump, based on the modern 2016 Grammatico LaGrange (jumped channel)
  • Revv Gen Red, based on the red (gain 2) channel of the Revv Generator 120
    Ampeg SVT-4 PRO, based on the Ampeg SVT-4 Pro

8 New Effects:

  • Distortion > Dhyana Drive (Mono, Stereo) based on the Hermida Zendrive
  • Distortion > Heir Apparent (Mono, Stereo) based on the Analogman Prince of Tone
  • Distortion > Tone Sovereign (Mono , Stereo) based on the Analgman King of Tome V4
  • Distortion > ZeroAmp Bass DI (Mono, Stereo) based on the Tech 21 SansAmp Bass Driver DI V1
  • Filter > Asheville Pattrn (Mono, Stereo) based on the Moog Moogerfooger MF-105M MIDI MuRF Filter (with both MuRF and Bass MuRF voicings)
  • EQ > Low/High Shelf, Line 6 Original EQ
  • EQ > Tilt, Line 6 Original EQ

And more! Visit the Line 6 website for more details. You can download the free Helix 2.81 Update from that website. The Helix Native 1.81 Update is also free to download from the Line 6 website. It includes the following new features:

HELIX/HX Preset Sharing—Helix Floor, Helix Rack/Control, Helix LT, Helix Native, HX Effects, and HX Stomp all now live within the same ecosystem. Using multiple windows within HX Edit and/or multiple instances within the Helix Native plug-in, individual blocks and entire presets can be freely dragged and dropped or copied and pasted between units. Aside from a few obvious caveats, all Helix and HX products can now share the same content

Hardware Compatibility Modes—Helix Native can now reflect the signal flow and model set of all Helix and HX hardware devices, so transferring presets to and from your DAW is even easier. In addition, Hardware Compatibility can be disabled, so the simultaneous model count is now limited only by the capacity of your computer

Undo/Redo—New Undo and Redo buttons have been added to the right of the Snapshots pull-down

MIDI Learn—Right-click on a parameter and select Controller Assign > MIDI Learn. A brain icon flashes. Send Helix Native a MIDI CC and the parameter is automatically assigned. (Note: Depending on your DAW, your track may not be set up for MIDI control)


Line 6 Introduced Powercab 212 Plus and Spider MkII Amplifiers



At Summer NAMM 2019, Line 6 debuted the Powercab 212 Plus Active Stereo Guitar Speaker System and the Spider V MkII series of practicing and performing amplifiers.

All five Spider V MkII amplifiers let you plug in and immediately rock a traditional amp tone, or tweak parameters until you’ve devised a unique tone of your own. The all-new presets include classic amp sounds dialed in by a renowned tube-amp maker, and showcase the new Classic Speaker mode.

The 500-watt Powercab 212 Plus is the premier amplification system for Helix or any modeler, offering a flat (FRFR) mode, or a choice of 12 proprietary speaker models – not the same as cab models or cab IRs, for an authentic “amp-in-the-room” playing experience.

Features of the Powercab 212 Plus include:

  • Speaker Quantity: 1
  • Speaker Type: Ferrite Coaxial Custom by Eminence
  • Compression Driver(s): Celestion CDX 1-1010
  • Loudness SPL: 125dB SPL @ 1m
  • Peak Wattage: 250 watts
  • Speaker Size: 12”
  • Frequency Response: 70Hz – 20kHz
  • Speaker Models: 12 (with 2.0 firmware)
  • Combination Input Jacks: 2
  • XLR Direct Outs: 1
  • L6 LINK / AES/EBU: Input and Output
  • USB Audio Interface: USB-B
  • User Presets: 128
  • Display: 2” LCD
  • Cabinet Material: Poplar Plywood
  • Kickstands: Yes
  • Porting: Front
  • Third-Party Impulse Response (IR) Support: 2048 sample
  • MIDI DIN: 2: In, Out/Thru

DJI Introduced Ronin-SC



DJI, the world’s leader in creative camera technology, announced the latest addition to the renowned Ronin series, the Ronin-S Compact (SC), a single-handed 3-axis gimbal designed for popular mirrorless cameras. Using over a decade of experience creating aerial and handheld gimbals, the Ronin-SC offers a highly compact design, high-grade materials and advanced technology to open the world of creative possibilities for users capturing videos and photographs.

The Ronin-SC was created to be portable and travel friendly, weighing only 2.4 lbs., 41% lighter than the Ronin-S and can be taken apart to easily fit into backpacks and cases. The reduced weight makes the Ronin-SC not only easily transportable but aids in reducing fatigue when using it on extended photo and video shoots.

Using high quality materials including magnesium, steel, aluminum and composite plastic, the Ronin-SC’s durable construction is built to last and endure everyday use. Its powerful high-grade motors are capable of supporting up to 4.4 lbs and its dedicated battery offers users up to 11 hours of operation.

Taking feedback from the Ronin-S, the Ronin-SC offers new design features including 3 axis locks on the pan, tilt and roll axis which makes balancing the camera simplified as well as helping during transportation.

Additionally, the Ronin-SC features a new position lock system. Once the gimbal is balanced, the time it takes to remount the camera and start working is mere seconds, saving precious time during shoots. Similar to the Ronin-S, users can control the gimbal movement with the responsive joystick and easily access different modes and gimbal settings with the use of the Mode (M) button and the front trigger button.

A staple in the Ronin series, the Ronin-SC features a host of intelligent modes to inspire all levels of content creators. Using the redesigned Ronin app, users can set up to 3 different custom profiles, adjust various settings such as motor output and even run balance tests to ensure that the camera system is properly setup.

Features include:

  • New Force Mobile: The new Force Mobile, similar to Force Pro, conveniently synchronizes the movement of your connected mobile device with the Ronin-SC gimbal, offering an immersive filming experience.
  • New ActiveTrack 3.0: Using a mobile device, Ronin-SC users can select a subject for the gimbal to accurately follow. The new algorithms include deep learning deep learning and optimized calculations for human figures.
  • Virtual Joystick: Control gimbal movement remotely using the virtual joystick, ideal for when Ronin-SC is on a tripod or monopod.
  • TimeLapse: Create compelling TimeLapse content, adjusting settings including interval, clips and frames per second.
  • Motionlapse: Add the element of motion to your TimeLapse.
  • Motion Control: Set unique movement paths with Motion Control by selecting up to 10 different points.
  • Panorama: Automatically capture panoramas in multiple rows or columns.

TELEFUNKEN Elektroakustik At Summer NAMM 2019



TELEFUNKEN Elektroakustik announced that they will exhibit at Summer NAMM 2019, in Nashville, Tennessee. Find them at the Music City Center in booth #443 from July 18-120, 2019.

Stop by the booth to see and listen to the brand new Alchemy Microphone series featuring the TF29 Copperhead, TF39 Copperhead Deluxe, TF47 and TF51. The rest of our product line will be on display including the Diamond, FET and Dynamic series microphones, as well as our Direct Boxes, Vacuum Tubes and Accessories.

The Alchemy Microphone series was designed, hand-built, and tested to strict quality standards in Connecticut, USA. The Alchemy Microphone Series is TELEFUNKEN Elektroakustik’s next generation of large diaphragm tube condensers. These new microphone models feature sonic profiles developed from the ground up.

The Diamond Microphone Series includes five microphones. The ELA M 251E is a meticulously accurate reissue of one of the most legendary microphones of all time, featured on countless hits and classic recordings. The ELA M 251 T is based upon the classic ELA M 251T microphone, but with a modern twist: The 251T utilizes Alloy 2213 as the diaphragm membrane material instead of gold.

The TELEFUNKEN Elektroakustic recreation of the iconic U47 is exact in every detail, down to the historically accurate BV8 transformer and M7 capsule. The U48 is a historically accurate recreation of the legendary U47 variant, the U48 features bidirectional capability, as well as cardioid.

Revered for its smooth and airy frequency response, if there were ever a classic microphone that was the epitome of classic, hi-fidelity sound, it would be the C12.


Sony Electronics Introduces High Resolution Alpha 7R IV Camera



Sony Electronics Inc. announced the latest edition to is acclaimed Alpha 7R series full-frame mirrorless camera line up: the extremely versatile, powerful Alpha 7R IV (model ILCE-7RM4).

Sony’s highest resolution full-frame camera ever, the new Alpha 7R IV delivers stunning image quality with high resolution and wide dynamic range while maintaining outstanding focusing performance, high-speed continuous shooting, and much, much more.

The new Alpha 7R IV features a newly developed 35mm full-frame, back-illuminated CMOS image sensor with a resolution of 61.0 MP, the world’s first of its kind. The new sensor’s back-illuminated structure and effective noise reduction techniques combine to deliver extremely low-noise and high-sensitivity performance, ensuring the absolute maximum image quality.

The camera also boasts an impressive 15-stop dynamic range at low sensitivities, resulting in smooth natural gradations ranging from deep shadows to highlights, and utilizes algorithms from many of the latest Alpha cameras to maintain outstanding color reproduction.

This new full-frame model is equipped with an innovative 5-axis, optical in-body image stabilization system that has been fine-tuned to support its high-resolution shooting capacity, resulting in a shutter speed advantage of 5.5-steps. Additionally, the shutter unit assembly has been carefully redesigned to reduce even the slightest movement that may cause blur.

Additionally, the new camera features an evolved Pixel Shift Multi Shooting mode that composites up to 16 full-resolution images. In this mode, the camera precisely shifts the sensor in one pixel or half-pixel increments to capture 16 separate pixel-shifted images containing a total of 963.2 million pixels of data, which are then composited into a 240.8 million pixel (19008 x 12672 pixels) image using Sony’s “Imaging Edge” desktop application.

Features include:

  • World’s first 33mm full-frame 61.0 MP back-illuminated Exmor R CMOS image sensor with latest-generation BIONZ X image processor
  • 15-stop dynamic range at low sensitivities, resulting in smooth, natural gradations ranging from deep shadows to highlights
  • High-speed continuous shooting at up to 10 fps with full AF / AE tracking for approximately seven seconds in full frame mode with an increased buffer memory, and approximately three-times as long in APS-C mode
  • 567 focal-plane phase-detection AF points covering 74% of image areas and 425 contrast AF points
  • Debut of Real-time AF for movie recording and advanced Real-time Tracking plus Real-time Eye AF for still imaging
  • Features an APS-C crop mode delivering stunning high-resolution images of 26.2MP
  • 5.76 million dot UZGA (Ultra-XGA) OLED Tru-Finder electronic viewfinder with outstanding detail, brightness and contrast
  • Upgraded connectivity and operability including high-speed Wi-Fi support, wireless PC remote connectivity, FTP wireless transfer, faster data transfer via USB and more
  • Professional 4K movie recording functionality including full pixel readout with no pixel binning in Super 35mm mode, S-Log3, HDR workflow support
  • Multi Interface Shoe with digital audio interface delivers the high-quality sound recording with Sony’s new microphone and XLR microphone adaptor
  • Additional enhancements to the body design include an improved grip and button layout for improved control with compact lightweight body

Digital Audio Labs Released the LM-MICPRE Intercom Mic Preamp



Digital Audio Labs has released the LM-MICPRE intercom mic preamp for external intercom microphone. The price is MSRP $299.99.

The Livemix LM-MICPRE is a USB powered intercom microphone preamp. It provides the ability to use an external dynamic microphone with the built-in intercom system. Using an external mic with the intercom allows musical directors and team members to communicate clearly.

It also helps you save channels on the personal mixers or console. Any standard dynamic microphone can be used as an intercom microphone with the LM-MICPRE.

When using an external mic for the intercom microphone, the intercom button can be configured in one of three different modes. Always on will leave the intercom microphone active at all times. With latch mode, one button press will turn the intercom microphone on and another press will turn it off. In push to talk or momentary mode, the intercom mic will be active only while the button is being depressed.

The LM-MICPRE also works with the optional FP-2 foot pedal. The same button functionality can be assigned to the first foot switch button for hands free intercom operation.


Zenhiser Presents Decoded Drum & Bass



Zenhiser presents Decoded Drum & Bass, an indefensible pack for Drum & Bass producers. The price is listed as $60.00 AU.

Exploding out of the gates with crisp beats, hefty bass, primary synths and ballistic rhythms, ‘Decoded Drum & Bass’ merges new Jungle with Tech Step and Minimal D&B. This fusion of styles is indefensible for Drum & Bass procedures whether you’re working on your own tracks, remixes or a future album.

As with all new Zenhiser releases, this pack is pristinely laid out with folders for just about all your needs, five construction kit / stem masterpieces, twenty-five full mix loops with their individual parts, separate drum hits for all occasions, exemplary FX and essential synth / bass one shots.

Everything has been recorded between 170bpm – 174bpm, labelled for ease of use plus a good chunk of midi to feed your next D&B production. This unique collection covers everything from Nu-Jungle to Rollers and is certified to push any dance floor to it’s limits.

Find what you’re looking for in one comprehensive D&B sample pack to ensure you’ll get the absolute most into your music productions.

More details:

  • Genre: Drum & Bass
  • Files – Audio: 419
  • Files – Midi: 72
  • Files – Preset: No
  • Type – Audio: 24-Bit Wav
  • Zip Size: 3.4GB
  • Info – Key: Yes
  • Info –Bpm: 170bpm – 174bpm

BOSS Unveils SY-1 Synthesizer Pedal



With the SY-1 Synthesizer, BOSS brings their latest guitar synth technology to the iconic pedal lineup. Equipped with a powerful polyphonic engine, the SY-1 delivers 121 responsive sounds, all ready to play with no programming knowledge needed. Offering easy connectivity, via a standard 1/4-inch cable, this versatile pedal makes it simple for any guitarist or bassist to incorporate an authentic BOSS synth into their music.

Backed by advanced tech first developed for the SY-300, the SY-1 packs a wide range of analog-style synth sounds in a pedalboard-friendly size. Leads, pads, organs, basses, and more are included, plus a variety of sound effects and rhythmic synth patterns. Sounds are organized into 11 different types, with variations in each.

Thanks to custom DSP and the latest BOSS innovations, the SY-1 offers latency-free performance for a natural and organic playing experience. Tone/Rate and Depth knobs provide quick adjustment of synth voices, including changing the pitch on some sounds. And with a rear-panel switch, the input circuitry can be instantly optimized for either guitar or bass.

Like any BOSS compact, the SY-1 excels in a typical serial pedal chain. But with the send/return loop and dedicated mix controls, it’s also possible to blend one or more pedals in parallel with the SY-1’s synth voices. The send jack functions as a direct out too, letting a player to route synth and guitar sounds to separate destinations.

The SY-1 offers a number of ways to make synth performances more dynamic and expressive. Holding the pedal switch sustains the last-played synth sound, perfect for jamming regular guitar over the top. Users can also connect an external footswitch for tap tempo and octave-shift effects, or plug in an expression pedal for continuous Tone/Rate control.

The BOSS SY-1 Synthesizer will be available for $199.99 (U.S. street) at authorized BOSS retailers in the U.S.


Sony Electronics Introduces FE 35mm F1.8 Lightweight Prime Lens



Sony Electronics introduces the latest addition to its E-mount full-frame lens line-up with the introduction of the FE 35mm F1.8 wide-angle prime lens, model SEL35F18F.

The compact dimensions and lightweight of this full-frame, large-aperture lens provide mobility and convenience for shooting a wide range of subjects, such as everyday snapshots, food photography, landscapes, night scenes and more. The new lens provides outstanding corner-to-corner image quality, while its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting.

Additionally, it’s compact form makes it an appealing choice for both APS-C body users, offering a 52.5mm equivalent focal length on APB-C cameras.

Product Highlights:

High-resolution and large-aperture, full-frame performance in compact and lightweight lens

  • Large F1.8 maximum aperture, weighing in at just 280 grams and measuring 65.6mm (diameter) by 73.0mm (length); this new lens sets a new standard for portability
  • Advanced optical construction, including an aspherical element to suppress aberration and deliver high resolution throughout the entire image frame; 9-blade circular aperture enhances beautiful bokeh
  • Minimum focus distance of 0.22m and maximum magnification of 0.24x offer easy access to the world of close-up photography

Versatile control and handling for a wide range of imaging needs

  • Conveniently placed, customizable focus hold button and a focus mode switch for instantaneous switching between auto and manual focus
  • Linear Response Manual Focus for fine, responsive manual focus control
  • Dust- and moisture-resistant design add to the versatility and reliability of this new lens and invoke a feeling of confidence in the user

The FE 35mm F18 will ship in August 2019 for approximately $750 US and $800 CA and will be sold at Sony’s authorized dealers throughout North America.


BOSS Unveils RC-10R Rhythm Loop Station



Boss unveils the RC-10R Rhythm Loop Station, the latest addition to its long-running family of Loop Station products. Combining song-based looping, organic rhythms, and class-leading sound in a compact package, the RC-10R gives musicians an expressive new tool for developing ideas and making stage performances more dynamic and compelling.

Designed for in-the-moment music creation, the RC-10R brings loops and rhythms together in a powerful, interactive way. The rhythms feature song structures with separate parts, and the two-track loop engine works in a serial fashion that’s perfectly synced to the rhythm. This enables users to capture independent song sections, each with their own unique rhythmic backing. Two fill variations bring natural energy to loop transitions, while intro/ending fills bookend pieces in an organic way.

Equipped with over 280 built-in rhythms, the RC-10R supports nearly any musical style. Users can also import their own SMF rhythms and store them in 50 onboard locations. With 16 different kits, any groove can be instantly transformed from heavy rock to light percussion and everything in-between.

While RC-10R’s loop and rhythm engines work together in complete harmony, they also work equally well apart. It’s possible to build two independent loops with no rhythmic backing, or use the RC-10R as a foot-operated drum machine with real-time control over song sections and fills.

The RC-10R features interactive displays and multi-function controls for standalone operation, plus 99 phase memories for storing loop/rhythm combinations. Two footswitches or an expression pedal can be connected for expanded control, and full MIDI I/O is also provided on space-saving mini TRS jacks.

With the RC-10R’s configurable dual outputs, users can send loops and rhythms to separate amp systems if desired. Unique tone filters are also available to optimize the input and/or rhythm sound for amplification through a single-system.

The BOSS RC-10R Rhythm Loop Station will be available for $299.99 (U.S. street) at authorized BOSS retailers in the U.S.