BOSS announced the DC-2W Dimension C and MT-2W Metal Zone, the latest additions to the acclaimed Waza Craft lineup of premium compact pedals.
Like all Waza Craft models, the new pedals feature original BOSS analog designs that have been infused with the artful refinements for enhanced performance and versatility. With the introduction of the DC-2W and MT-2W, the Waza Craft series now expands to include eight unique models.
The DC-2W Dimension C ushers in the return of two legendary BOSS and Roland effects from the 1980s. Designed in the Waza Craft analog tradition, the DC-2W offers not just a perfect sonic recreation of the original DC-2 Dimension C pedal, but also the legendary SDD-320 Dimension D studio rack effect it was based on.
DC-2W users can choose between DC-2 and SDD-320 modes with a panel switch. The pedal provides the same intuitive four-button preset interface found on the original effects, now evolved with electronic switching that unlocks sonic variations on the vintage units. Across the DC-2Ws two effect modes, 20 different Dimension variations are possible with just four switches.
First released in 1991 and in continuous production ever since, the MT-2 Metal Zone is loved by guitarists everywhere for its thick, rich distortion and distinctive mid-focused tone. Infused with Waza Craft mojo, the MT-2W takes the iconic stomp to new levels of tonal range and versatility.
The MT-2W features a dual-stage gain circuit enhanced with discrete analog components, plus a refined EQ circuit with smoother midrange tone and unique Q values specially tuned for the pedal’s focused Metal Zone tone, while Custom mode introduces a fresh, wide-ranging voice that’s perfectly suited for today’s diverse high-gain styles.
BOSS announced the availability of the Katana-Air, the world’s first totally wireless guitar amplifier. Compact and battery-powered, the Katana-Air features new low-latency wireless guitar technology developed by BOSS and a custom wireless transmitter that plugs into any electric guitar.
This gives players the freedom to jam and practice anywhere without fussing with guitar cables or AC connections. It’s also possible to play along with audio streamed via Bluetooth from an iOS or Android smartphone, and remotely edit tones and effects from the dedicated BOSS Tone Studio app.
Equipped with the same sound-shaping features found in the Katana Version 2 amplifiers, the Katana-Air delivers premium tones for all styles of music. Five channels provide a wide range of sounds, from sparkling clean to BOSS’s custom high-gain Brown sound. There’s also integrated access to over 50 BOSS effects, plus six memories for storing favorite amp and effects setups.
Though compact in size, the Katana-Air is serious about sound quality. Equipped with pro amp tones and effects from the performance-class Katana amplifiers, this wireless wonder delivers premium guitar sounds for any style of music.
To further extend the cable free experience, you can wirelessly edit and organize sounds with a dedicated amp and jam with songs streamed from your smartphone. With the innovative Katana-Air and your favorite axe, casual playing has never been more convenient and inspiring.
The Katana-Air wireless guitar amplifier is now available for a U.S. price of $399.99.
Boss announced the AD-10 Acoustic Preamp, a new professional preamp/DI pedal for acoustic-electric guitar. The dual-channel AD-10 features the latest generation of Boss’ Acoustic Resonance technology, which restores natural acoustic tone in amplified acoustic stage instruments.
The pedal also includes numerous tone-shaping tools, onboard effects, and a looper, plus newly developed functions to control feedback with minimal tonal coloration. Hugely powerful yet simple to use, the AD-10 gives serious acoustic players everything they need to achieve rich, organic tones in any performing environment.
An unplugged acoustic guitar produces a complex, full-bodied tone that can’t be reproduced by the standard pickup systems installed on most stage guitars. Using proprietary Boss technology, the AD-10’s standout Acoustic Resonance feature solves this issue by analyzing the input signal in real time and employing advanced processing to recreate the guitar’s naturally resonant acoustic tone.
The AD-10’s Acoustic Resonance offers the deepest implementation to date, with more powerful processing, three resonance types, and the ability to balance the tonal character to suit the needs of different instruments.
Feedback is another common problem with amplifying acoustic guitars on stage, and the AD-10 includes multiple layers of feedback protection to address these issues. With a twist of the feedback reduction knob, the user can engage newly developed Boss technology that seeks out and suppresses the offending frequency while continually maintaining balanced overall tone.
For deeper feedback problems, the AD-10 includes sophisticated notch filters that can be tuned manually or set for automatic scanning to eliminate feedback in the background.
BOSS’s Acoustic Singer Pro acoustic amplifier takes the acoustic state amp to new levels of sound quality and creative versatility. Incorporating BOSS’s latest advancements in amplifier research, this compact powerhouse produces rich, vibrant sound with unmatched punch and clarity.
Independent channels are provided for acoustic guitar and vocal, and each is equipped with discrete analog input circuits and three-band EQ for studio-quality sound. And with additional features such as Acoustic Resonance, looping, automatic vocal harmonies, effects, and more, the Acoustic Singer Pro gives acoustic musicians everything they need to deliver inspiring and impactful live performances.
Professional acoustic amplifier with premium sound and features
120-watt bi-amp design with custom-designed 8-inch woofer and dome tweeter
Dual channels with discrete analog input electronics and three-band EQ
Dedicated guitar channel with Acoustic Resonance to restore natural tone to stage guitars with piezo pickups
Mic channel with phantom power and ¼ inch/XLR combo input for connecting a vocal/guitar microphone or second instrument source
Chorus effect on guitar channel, delay/echo effect on mic channel, and independent reverb on both channels
Harmony function automatically creates smooth and accurate vocal harmonies via real-time key/chord analysis of the guitar input
Built-in looper for practicing, developing ideas, and enhancing live performances
Independent anti-feedback controls on each channel
Dual XLR DI jacks assignable to outputting individual channels (direct or post-effects) or both channels mixed together
USB output for direct recording to a computer
Control looper, harmony, and effects with optional footswitches