In a perfect world, all audio recordings would be made in a controlled studio environment with proper acoustic treatments and sound proofing. That way, the captured audio would be as clean and dry as possible. But, with the proliferation of low-cast audio recording systems, a modern-day recording “studio” could be anything from a cavernous cathedral to a small bathroom. That means that sometimes, the resulting recordings might have some unwanted echo/reverb effects that couldn’t be eliminated at the source. While it’s simple enough to add echo/reverb to a recording afterwards, it’s not always easy to take it away.
Accusonus has worked to solve the problem of unwanted echo/reverb with its new ERA-R dereverberation plugin:
Add clarity to your mixes, clean up your dialogue tracks and tighten up your music performances. ERA-R is the only plugin that attenuates or removes excessive reverberation with a single knob. Based on the accusonus multi-patented audio restoration technology, ERA-R automatically estimates the reverberation profile and offers the means to adjust the reverberation amount in a streamlined interface.
The ERA-R plugin is compatible with most modern versions of macOS and Windows. Accusonus has tested the plugin with Ableton Live 9.7, Apple Logic Pro X 10.2, Steinberg Cubase 7.5 (64-bit only), Avid Pro Tools 11.3 and 12.5, Cockos Reaper 5.32, Presonus Studio One 3.0, ImageLine FL Studio 12.0, and Audacity 2.1.2. ERA-R is currently available at an intro price of $39. ERA-R is also available as part of a few bundle offers from Accusonus that vary in price.

Audio production professionals can never have enough reverb/echo plugins. These effects can often help turn a good mix into a great one. There are plenty of good free plugins out there for reverb and echo. In fact, most digital audio workstations come preinstalled with decent ‘verb and echo sets of their own. But sometimes, a mix needs more than what the base line can offer. That’s where plugins like Echo Farm from Line 6 come in.
Smartphones and tablets are more than just communication and consumption devices. They’re high-powered computers capable of doing many of the same things as full-fledged desktop machines. For media producers, that means things like multitrack audio production. And while devices like iPhones and iPads come with built-in microphones that make it possible to record sound, this process can be greatly improved with the addition of a dedicated audio interface. That’s where
The iPhone has become a valuable tool for media producers. And while the device can do a lot on its own, it can be improved dramatically with external add-ons like microphones. Simply plugging a high-quality, dedicated microphone into an iPhone can raise the sound quality of audio and video recordings noticeably. But, it’s not always easy to find a microphone that’s compatible and/or easy to use with an iPhone. That’s where the
macOS has proven to be an essential tool for media producers. The operating system’s overall stability, combined with its implementation of Core Audio have given media-focused developers a solid foundation for building robust, full-featured media-production applications. But macOS still has some limitations when it comes to the internal routing of audio. Some things can be configured thru the Sound pane in System Preferences. But sometimes, that’s not enough. That’s where SoundSource, an audio routing application from Rogue Amoeba comes in.
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