All posts by Shawn Thorpe

About Shawn Thorpe

Shawn is a freelance media technician and podcast consultant living in San Luis Obispo, CA. | Blog | Twitter

NewBlueFX Debuts new Titler Pro 4 application at NAB



NewBlueFX logoWhen it comes to video titling, special effects and enhancements, nobody does it better than NewBlueFX. The company has had a long standing with video producers across all platforms.

At this year’s NAB, Travis White from NewBlueFX sat down to have a chat with Don Baine about the company’s latest creation, Titler Pro 4. Travis said that the newest Titler Pro was built on an entirely new engine with much better performance. He also said that the application can run as a plugin and should be compatible with most major video editing suites (Apple, Avid, etc.). Titler Pro has many new features. For example, the program can now import PSD files to be used in animations. Titler Pro also now offers support for Open FX.

Titler Pro offers three different versions as varying price points, depending on the needs of video producers.


Fuji Has 4K 2/3 Lenses at NAB



Fuji Film LogoFujinon is a well respected manufacturer of camera lenses. Fujinon was recently tied more heavily to its parent company, Fuji Film. It’s a small change in name only. The Fuji folks are still hard at work creating new top of the line products.

Thom Calabro from Fuji Film stopped by to speak with Don Baine about Fuji Film’s latest 4K lenses. These lenses were designed with 2/3 sized camera bodies in mind. The company has developed both handheld and box lenses that were on display in the Sony, Hitachi and Grass Valley booths at NAB.

These new 4K lenses are built sturdy and will last for years. They also use Fuji Film’s new high transmittance encoding to ensure the best image reproduction.


MXL Shows Off Prototype Mini Mixer at NAB



MXL LogoOn-the-spot media production can be tricky. There’s a lot of moving parts to consider; cameras, microphones, mixers, and all of their accessories. Traditionally, crews would head out with all kinds of bags and cases to haul their gear. But more and more, people are producing with smaller rigs like mobile phones or tablets.

Perry Goldstein of Marshall Electronics stopped by Don Baine’s booth to talk about audio production. While he was there, he broke out a prototype device made by MXL called the Mini Mixer. The device has four independent 1/8″ TRS inputs for microphones with separate gain controls. Output options include a standard analog connector as well as USB for connecting to a computer or mobile device. The Mini Mixer can be powered by two AA batteries or the USB bus.

No information is available yet as to when this product will be available for purchase.

 


Livestream Brings an Array of Products to NAB



Livestream logoLivestream has been a leader in Internet broadcasting since the early days of the medium. The company’s continued success has been built on its willingness to respond to customer feedback and evolve with new trends.

Phil Worthington from Livestream had a chat with Don Baine about several of the company’s products. First up was the Broadcaster Mini and Broadcaster Pro. Both of these units are ideal for mobile video producers. At the simplest level, all you’d need to start live streaming is a camera and one of Lifestream’s Broadcasters. Of course, it’s entirely possible to expand from there depending on your needs.

Next up, Phil brought out the new Livestream Studio Surface Go control surface. This compact but rugged control surface is designed to handle all of the crucial functions included in Livestream’s Producer 3.0 production suite. Studio Surface Go is perfect for producers who need a compact but powerful setup for video switching and control.

Phil saved the best for the last with the impressive Livestream Studio HD550. The HD550 is an all-in-one video production system that includes all of the video and audio I/O you’ll need to handle multiple cameras and video sources. It’s also a self-contained switcher and full production suite that works with Livestream Studio 3.0 software. Check the above link for full details. There’s too much to try and list them all here!


Broadcast Pix Roadie is a Powerful Integrated Mobile Switcher at NAB



Broadcast Pix logoIn the world of modern video production, having a powerful switcher is essential. Especially for producers who are dealing with mobile and/or remote situations. Broadcast Pix brought its latest mobile integrated switcher, the Roadie, to NAB to show off its many features.

Don Baine sat down with Lee Griffin from Broadcast Pix. Lee gave more information about the Roadie than I could keep track of! But here are some important points:

  • Integrates with live streaming services like Ustream, Livestream and YouTube live
  • Integrates with social media sites like Twitter, making it easy to interact with an audience in real time
  • Support for HDMI, SDI and IP inputs
  • Support for native Apple and Avid video and graphics codecs
  • Save “virtual sets” for setups that are used frequently, virtual sets can also be easily shared between multiple Roadies
  • Scratch resistant screen
  • Roadie comes with a protective case
  • Weighs 20 pounds for easy portability, may fit into some overhead bins on airlines
  • Uses dual band Wi-Fi for wireless connectivity
  • Can be used with an optional iPad controller app

This barely scratches the surface of the Roadie’s feature set. It’s an incredibly versatile piece of gear and it normally retails for around $12,500.00.


Mike Dell talks Ham Radio and more at NAB



Podcast Help Desk artworkEver wonder what the first true digital medium of communication might be? Most of us probably think of something that involves old modems or maybe some kind of wireless communications system. But the truth is that it goes back much farther than that.

Mike Dell is host of Podcast Help Desk. He’s also a member of the Rawvoice/Blubrry support team. He stopped by Don Baine’s booth to talk about some of his experiences as a new media producer, as well as his love for a truly “old” medium, ham radio.

 


Brinno Brings Time Lapse Cameras to NAB



Brinno logoThis post kicks off a series of video presentations recorded at this year’s National Association of Broadcasters (NAB) trade show in Las Vegas. These videos showcase new products that may be of interest to professional media producers.

In this clip, Don Baine met up with Chris Adams from Brinno. Chris arrived with three different products to display.

The first is the PeepHole Viewer, or Front Door Security Cam. This camera mounts onto an existing door peephole. It uses a motion sensor to detect when someone’s at the door and it records time lapse video of whoever (or whatever) is there. This device would be great for anyone who wants to know if that parcel was really dropped off when the courier said it was or for anyone who just wants some added security on an exterior door.

Next up, Chris showed off the Brinno TLC200Pro. This is a small but powerful time lapse camera capable of recording short bits of HDR video over extended period of times. It’s optimized to run for months off of one set of AA batteries. The TLC200Pro would be a great way to capture time lapse footage of something like a construction site. The device has an articulating lens and can be used with an optional weatherproof acrylic case so it can be left outside in any environment.

Chris’s final demonstration came in the form of Brinno’s latest version of the TLC200Pro. The new version is smaller and the camera itself is weatherproof, meaning it doesn’t need a case like the TLC200Pro. This new version of time lapse camera works with a smartphone app to set up shots and control the camera. Media recorded by the camera is then sent via Wi-Fi to the smartphone where it can be further transferred and manipulated. Like the TLC200Pro, this camera can run for months at a time on a single charge. This camera would be perfect for anyone who wants to record nature scares over an extended period of time.

The TLC200Plus is expected ro retail for $269.00 while the newer version is expected to sell for $299.00.


USB-C is the new Thunderbolt?



Thunderbolt LogoThunderbolt is seen by many as the latest and greatest protocol for things like high speed data transfer and HD video production. And while Apple has included Thunderbolt inputs on many of its desktop computers for awhile, the technology has been somewhat slow to catch on. Of course, the progression of technology waits for no one, and despite its lack of ubiquity in the wider world, development of newer and faster Thunderbolt technologies has carried on.

This week, Intel announced that Thunderbolt 3, the next version of the Thunderbolt protocol, will use USB-C style connectors instead of the connector types previously found on Thunderbolt cables and devices. USB-C made a splash earlier this year when it was implemented as the lone connection jack on Apple’s new MacBook, eschewing individual ports for USB, power, and audio/video. USB-C works with a “breakout” style cable that has multiple connectors for all of the different protocols typically used by modern computers.

If you’re confused by this development, don’t feel bad. It left me scratching my head, too. The Verge explained it like this (article linked above):

A Thunderbolt 3 cable will look like the current USB-C cables and will support the same power and data transfers, but it will also be capable of much higher throughput (40Gbps) in Thunderbolt mode. The only distinguishing mark? That small lightning logo on the connector itself. This is important because Thunderbolt works by integrating electronics directly into the cable itself — regular USB-C cables obviously won’t be able to carry out transfers at Thunderbolt 3 speeds.

Legacy Thunderbolt and Thunderbolt 2 devices will still work with Thunderbolt 3 thru the use of an adapter. What’s unclear is exactly how computer makers will label ports in the future. Will it be “USB-C/Thunderbolt 3” or just “Thunderbolt 3?” It’s important to recognize that a standard USB-C connection won’t be as fast a Thunderbolt connection and for the most part, USB-C probably won’t even support Thunderbolt devices. Understanding this difference will be crucial for anyone using Thunderbolt devices.

Overall, this change makes sense. After years of dealing with many different types of connectors for cables and peripherals, it could be a real convenience for consumers and manufacturers to have one connection type. But it’s going to be a rocky changeover, especially for those who’d like to keep using older Thunderbolt devices.


Nvidia Brings Improved 4K to its Flagship Video Processor



Nvidia logo4K video is old news to media professionals. And even tho there have been plenty of products built from the group up with 4K in mind, there are still a lot of legacy manufacturers that need to catch up. Nvidia is a leader in the video processing world. And while they’ve offered some 4K products already, the company believes they still have some improvements to make in how their products handle ultra HD signals.

This week, Nvidia unveiled what is soon to become its next flagship video processor, the GeForce GTX 980 Ti. This new card will deliver better support for 4K resolution, allowing for 45 frames per second, compared to 19fps on the older GTX 680. In heavy graphics intensive situations, Nvidia says its new card can go even higher, all the way to 47fps at 4K on the GTX 980 Ti compared with 18fps on the GTX 680.

This new video processor is powered by Nvidia’s Maxwell microarchitecture, which supports the latest DirectX 12 effects. Video RAM has been upgraded to 6GB of memory compared with the previous card’s 4GB. This new Maxwell chips allow for high-resolution performance and lighting with better frame rates combined with better power efficiency. The GTX 980 requires half the power consumption of Nvidia’s GTX 750, which was powered by the first version of the Maxwell chipset.

The new version of Nvidia’s card will retail for $649 and the introduction of the GTX 980 Ti has also caused the price of the former flagship model, the GTX 980, to drop to $499.


Camlet is the World’s First Multi-Device Camera Mount



CamletSometimes it seems like we really are living in a brave new world when it comes to the many options we have available for mobile media gathering. What used to require a huge rig with tens of thousands of dollars worth of equipment can now be achieved (in many cases) with a mobile phone, tablet and/or a prosumer-grade camera. But there are still challenges when it comes to using these devices efficiently while also making them come together to ultimately create a single entity that’s better than the individual parts.

Many devices have tried to solve this problem in recent years. And the latest entrant to the field is Camlet, an accessory touted as the world’s first multi-device camera mount. Camlet works by pairing a dSLR or mirrorless camera with a mobile device such as a tablet or phone using the Camlet cable and mount system. This “merges” the two devices, allowing for complete control of the camera from the mobile device using either Camlet’s specially designed control app or other apps created by third parties.

Camlet is flexible so it can be used in a variety of different ways. If your camera is on a tripod, Camlet can raise your mobile device up over the top of the camera to make it easier to see. Or if you’re mobile, you can fold Camlet back so the mobile device acts more like a large-screen viewfinder. Camlet can even turn the mobile device around so it’s facing forward, which would be a great solution for vlogging or other times when you need to monitor the video but can’t actually be behind the camera.

Camlet is being launched thru a Kickstarter campaign that’s currently at $41,000 of it’s $45,000 goal. The campaign has just less than three days before it’s over. If you’d like Camlet to be a part of your next camera rig, head over to the link at the top of this article and make a pledge!