Tag Archives: NAB 2019

ChyronHego Releases PRIME 3.5

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ChyronHego introduced PRIME 3.5, the next generation of the company’s universal graphics platform. This latest version is packed with technological advancements, authoring and playout workflow improvements, and purpose-built offerings to serve a wide variety of market segments.

PRIME 3.5 incorporates Click Effects PRIME 3.5, ChyronHego’s turnkey graphics-authoring solution for sports teams and arenas to make live, stadium-based presentations almost as exciting as what’s actually happening on the field.

In an industry first, with PRIME 3.5. ChyronHego is unveiling new end-to-end high dynamic range (HDR) capabilities for creating native HDR graphics and outputting them to HDR channels, including instant compatibility with SDR content within an HDR playout realm, eliminating the need to recreate legacy SDR content.

Expanding its GPU capabilities, PRIME 3.5 allows producers to scale up to a much higher number of pixels per physical output, or scale across multiple outputs, even at UHD resolutions. Allowing for multiple PRIME render engines to render in unison offers an even greater scalability to the ever-increasing need for pixels, all perfectly synchronized with all-new, frame-accurate output synchronization.

Whether addressing traditional CG, clip server needs, channel branding, touch screens, or video walls, PRIME does it all along with a single Design tool for any authoring needs. PRIME software workflow options, such as Base Scenes and Live Mode editing, simplify the authoring and playout environment with instantaneous authoring feedback on render outputs and time-saving, one-stop graphics-package adjustments, literally reducing hours of editing into minutes of work.

In addition, a new integration of PRIME and Click Effects PRIME with industry-leading production switchers from Grass Valley places single-button control of ChyronHego graphics into the user interface of Grass Valley’s Kayenne, Karrera, and GV Korona Video Production Center switches.

Unique, fine-grained control over CG elements and key-framed actions and timelines allows for ultimate control, facilitating multilayered graphics presentations to scoreboards – even on a single output.

Visit ChyronHego at NAB 2019 at booth #SL1208.

Telestream Unveiled Instantaneous Channel-as-a-Service System at NAB 2019

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Telestream, a leading provider of workflow automation, processing and quality monitoring and management solutions for the production and distribution of video, introduced OptiQ, a new and radically different one-click channel creation solution for cloud environments.

The product of a strategic research initiative that sees Telestream working closely with a major European telecoms service provider, OpticQ transforms the new channel creation task from a process that took weeks or even months to one that takes just minutes to complete.

Once created, these new video channels exhibit considerable sophistication: as standard, they feature integrated monitoring throughout and the ability to switch between multiple sources (live or file-based). A ‘pay-as-you-go’ business model offers the flexibility to accommodate unforeseen fluctuations in demand while aligning to such costs to revenues. As a result, users do not need to pre-spend to ensure they meet such demand.

OptiQ targets a number of applications. It facilitates new revenue streams for content providers looking to accelerate time to market for new channels, and for broadcasters and service providers by enabling short-term (premium and non-premium) channels/events, or additional content such as highlight reels, player bios, and event histories alongside premium content.

OptiQ uses containers and multiple orchestration systems which are prioritized based on industry dynamics and customer feedback. The containers are modular Linux-based “elements” (such as encoders, packagers, origin servers, and monitoring probes), that can be instantiated in a cloud environment by an orchestration system, then stitched together and configured automatically to make a real-time-monitored live streaming channel.

Visit Telestream at NAB 2019 booth #SL3308.

iZotope Acquires Product Line from Exponential Audio

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iZotope, the experts in intelligent audio technology, announces the acquisition of the Exponential Audio product line. Exponential Audio is a leading company in digital reverb, best known for R4 PhoenixVerb Surround and Symphony. The company has become a mainstay for audio professionals in both music and audio post production.

Exponential Audio reverb plug-ins help audio engineers quickly and easily bring character to musical performances, fit dialogue into scenes, mix in immersive audio formats, and create never-before-heard sound effects. Developed in consultation with award-winning Hollywood re-recording mixers, these reverbs lead the market in supporting the most advanced industry formats for surround audio.

In addition, Exponential Audio founder and renowned reverb expert Michael Carnes joins the iZotope team as a Research Fellow to continue innovating new possibilities for sound.

Carnes is a long-time software developer and musician. Prior to starting Exponential Audio, he was creator of Lexicon’s 960L, the PCM96, and the Lexicon plug-ins. Beyond hardware and software development, Carnes holds an advanced degree in classical composition, adding musicality and creativity to the plug-ins he develops.

Exponential Audio’s products will now be sold through iZotope.com. Current and future uses of Exponential Audio products will become part of the iZotope community and will be supported by iZotope’s Customer Care team.

Visit iZotope at NAB 2019 at South Hall (lower) booth #SL8827.

Focusrite’s RedNet Control Now Includes Support for Red Range Interfaces

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Focusrite has released RedNet Control 2.3, a free update that unifies RedNet Control with configuration, status monitoring, metering and extended operational control of the Red 4Pre, Red 8Pre, Red 16Line – Focusrite’s range of audio interfaces offering up to 64 in / 64 out Thunderbolt I/O with Pro Tools HD and Dante network audio connectivity.

Focusrite RedNet Control’s “Device View” features a graphical representation of each device on the local network, giving critical feedback such as signal metering, clock status, power supply state and primary/secondary network connection state. RedNet Control is completely customizable, which allows for several users on the same network to have completely different views.

RedNet Control also provides parameter control. This includes clock source selection, sample rate converter configuration, and reference level setup. All the functions of Red mic pres can be controlled from the software: Gain, Phantom Power, Phase Invert, High-Pass Filter, and Air Mode. Graphical control for Red range units is separated into five pages: I/O Control & Meeting, Input Routing, Output Routing, Monitor Control and Custom Mixes.

From the Custom Mixes page, RedNet Control’s internal audio mixer allows you to create up to eight separate mono or stereo sub-mix signals. Up to 30 of all the available inputs can be selected as sources for the mixer. Once selected, these input signals will then become available to all Custom Mixes. Each mixer output can have an individual balance of fader levels, mute and channel pan settings.

Where more hands-on control is required, RedNet Control features a MIDI bridge, allowing any programmable CC-based or SysEX MIDI controller to manage up to 16 different devices with mic press. This allows gain to be easily mapped to an encoder for tactile control. RedNet Control includes the option to use the Avid Pre CC protocol, meaning Red range devices can be controlled from ProTools and in turn with one of the Pro Tools controllers such as Artist series, S3 or S6.

RedNet Control’s automatic firmware update ensures that all Red and RedNet devices on the network are kept up to date with the latest firmware. This guarantees that the latest Dante updates from Focusrite will be loaded to the device, ensuring the best possible performance.

RedNet Control 2.3 is available now for free download. The installation package, available for Mac OS X computers includes the RedNet Control application, the Dante Controller application, PCle drivers and Red range driver.

Visit Focusrite at NAB 2019 booth #C2052.

Datavideo Announces the ITC-300 Digital Intercom System

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Datavideo announces the ITC-300, an 8-channel digital intercom system. The ITC-300 is a single wired communication system, which provides single or all-call voice, power, and tally over standard Ethernet cable for up to eight belt packs. The unique ethernet locking system ensures secure and reliable connectivity to each belt pack.

The distance between the belt packs and the base station can be up to 300ft (100m). The base station can communicate with each belt pack individually or all at the same time. Each belt pack has dual color tally indicator, talk and call buttons, headset connection, and external tally connection.

The ITC-300 comes with belt packs, headsets, and tally lights for 4 users.

The Datavideo ITC-300 has an MSRP price of $1,949 and will be available June 2019. Visit Datavideo at NAB 2019 at booth #SL9716.

Datavideo Announces the NVS-33 H.264 Encoder and MP4 Recorder

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Datavideo introduces the NVS-33 and H.264 streaming encoder and recorder. THE NVS-33 has HD-SDI and HDMI inputs for video as well as stereo RCA connections for embedded audio.

The NVS-33 can stream and record at different bit rates simultaneously. It records onto an SD card in NTFS, FAT, or exFAT formats to allow continuous recording without a file size limitation.

Front panel operation with easy-to-use buttons makes this encoder desirable for many applications such as Houses of Worship, Education, Corporations, and Live Event Production.

In addition to a bit rate selection button on the front panel, the NVS-33 has video input selection, stream, record, and stream + record buttons. Once the NVS-33 is setup initially using a PC/Mac computer or tablet with a web browser, users can simply press one button to start their streaming and recording.

The Datavideo NVS-33 has an MSRP price of $699 and will be available June 2019. Visit Datavideo at NAB 2019 booth #SL9716.