Category Archives: Information

HOFA Offers New Freeware 4U+ DynamicTiltEQ Plugin

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HOFA TiltEQAudio-production software developer HOFA has released a new plugin called 4U+ DynamicTiltEQ. HOFA is billing it as “the world’s only available freeware TiltEQ,” boasting that users can “use just one knob for the perfect balancing of low and high frequencies on the highest audio level.”

HOFA came up with a “wish list” of all of the features they’d like to see in a TiltEQ plugin, and then proceeded to include all of them in 4U+ Dynamic TiltEQ:

  • Gain/cut up to 24 dB
  • Variable tilt width for transparent adjustments as well as musical sound shaping
  • Splittable bass and treble tilt
  • Low and highcut filter (6 & 12 dB/octave)
  • Individual routing for stereo, mid, side left and right processing
  • Up to 32x oversampling

The 4U+ Dynamic TiltEQ plugin is freeware and can be installed thru the free HOFA-Plugins Manager. The plugin works with Windows 7/8/10, Vista and Windows XP, as well as Intel Macs running OS 10.6 or later. HOFA provides AU, VST, VST3, RTAS and AAX versions of the plugin in both 32 and 64 bit configurations. HOFA has tested the plugin and confirmed it works with Steinberg Cubase/Nuendo/Wavelab, MOTU Digital Performer, Ableton Live, Apple Logic, Magix Samplitude/Sequoia, Avid Pro Tools, Cakewalk Sonar, Presonus Studio One, and Cockos Reaper digital audio workstations.

GatesAir Launches Flexiva LX Transmitter Range at NAB 2016

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GatesAir Flexiva LXGatesAir is a global leader in wireless, over-the-air content delivery solutions for radio and TV broadcasters. They are launching their Flexiva LX transmitter series for analog FM broadcasting at NAB 2016. The Flexiva Compact LX joins the Flexiva Compact Series at the lower power end of GatesAir’s radio transmitter family, providing customers with a wider range of options for analog and digital radio delivery.

Flexiva LX transmitters give FM broadcasters a budget-friendly option for upgrading to a more efficient transmitter design that boasts extensive capabilities, and replaces multiple separate boxes. The Flexiva LX offers a streamlined design focusing on FM analog broadcasts – a design attribute that lowers costs for the broadcaster – and retains the pertinent technologies that contribute to exceptional audio quality, high performance and operational efficiency found in all GatesAir Flexiva transmitters.

On the quality side, the Flexiva LX surpasses competitively priced analog-only FM transmitters via its digitally modulated exciter. Quality and performance is further enhanced through an integrated, powerful multiband digital audio processor with composite clipping and dynamic RDS. The latter eliminates the need for external systems to transmit dynamically-changing data related to song title, artist and other information.

Flexiva LX is ideally suited for translator applications with built-in FSK ID systems and an optional slide-in, DSP-based rebroadcast receiver card. Built-in web-based control, accessible via IP connectivity, gives engineers an option for monitoring and management of transmitter parameters from any networked location.

Like all Flexiva transmitters, the Flexiva LX series incorporates the latest high-efficiency technologies to reduce size, energy consumption and maintenance responsibilities. The compact 2RU footprint, which leverages high-density transistors and broadband amplification to reduce size and parts, fits comfortably into any transmitter building or enclosure, eliminating concerns for broadcasters with minimal RF plant real estate. Hot swappable power supplies simplify maintenance, allowing engineers to quickly service transmitters without affecting on-air performance.

The Flexiva LX series is available in power levels from 10 watts to 1kW, and will begin shipping this summer. Visit GatesAir at North Hall booth N2512 at NAB 2016.

Glidecam Brings New Glidecam XR-PRO to NAB 2016

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Glidecam XR-PROGlidecam offers a wide variety of camera stabilizers (camera stabilization systems) for use with motion picture cameras, video cameras, and video camcorders. They have more than 20 products and hundreds of dealers worldwide. Glidecam Industries is bringing their new Glidecam XR-PRO to NAB 2016.

The Glidecam XR-PRO hand-held camera stabilizer is the latest generation of Glidecam’s camera stabilization systems. The Glidecam XR-PRO’s all-new, and meticulously designed, features combine the best of the XR-Series creating a system that now accommodates a wide range of cameras.

Designed for film and video cameras weighing up to 10 lbs. (4.53 kg.), the lightweight Glidecam XR-PRO will transform your hard to watch, shaky camera footage into hypnotically smooth, professional, footage. With the Glidecam XR-PRO hand-held stabilizer, your camera seems to float, always balanced, isolated from your hand’s undeseriable motions. You are now free to move with your camera – panning, tilting, booming or running without any camera instability or shake.

Features include:

* Dynamic Camera Balance Platform (Camera Mounting Platform)

* Adjustable convergence, precision, three-axis Gimbal

* No-tools Telescoping Center Post

* Adjustable, inertial-control Base Platform

* Foam padded Handle Grip

* Precision Bearings at all vital points

* Made with precision Aluminum

* Anodized Studio Black

* Laser etched Labeling

* Allows unrestricted Booming and 360 degree Panning

* Rubber feet under Base Platform

* Made in USA

Visit Glidecam Industries, Inc. at NAB 2016 in the Central Hall booth C9015.

Panasonic Introduces LUMIX GX85 Camera

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Panasonic LUMIX GX85Panasonic has introduced a new Mirrorless Interchangeable Lens Camera for camera enthusiasts or anyone looking for an alternative to bulky DSLRs. The LUMIX DMC-GX85 (GX85) offers high image quality and high performance packed into a compact body.

The LUMIX GX85 delivers impressive large sensor performance in the most compact camera system ever designed by Panasonic LUMIX. Thanks to the elimination of the low pass filter, its fine detail resolving power is boosted nearly 10% over previous 16-Megapixel sensors.

The LUMIX GX85 incorporates a new 5-axis Dual I.S. (Image Stabilizer) for more effective suppression of blur. Combining an O.I.S. (Optical Image Stabilizer, 2-axis) and a B.I.S. (Body Image Stabilizer, 5-axis), the 5-axis Dual I.S. Compensates for a larger range of movement than ever before. Users can enjoy blur-free photo/video shooting from wide to tele, even in low light situations.

The 16.0-megapixel Digital Live MOS Sensor without a Low Pass filter and the new Venus Engine combine to achieve crisp, high resolution images in detail with high contrast, impressive color reproduction. The LUMIX GX85 adopts a new electromagnetic drive in the shutter unit. The shock caused by the movement of shutter diaphragm is dramatically reduced and the shutter sound is also minimized.

The LUMIX GX85 is capable of recording 4K video. It records stunningly smooth, high resolution 4K video in 3840 x 2160 at 30p or 24p in addition to the full-HD 1,920 x 1,080 60p (60 Hz) videos with practical full-time AF. The LUMIX GX85 comes with the Post Focus function that enables users to select an in-focus area even after shooting. You can get multiple shots with different focus points with a single shutter release to choose from.

The LUMIX GX85 will be available at www.shop.panasonic.com and valued channel partners at the end of May for $799.99 in both silver and black versions with a 12-32 kit lens.

RTW Will Showcase Entire Line of Loudness Solutions at NAB

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RTW SoftwareWhen it comes to media production, “loudness” means more than just volume. These days, there are a number of different loudness targets for media, depending on a large number of factors. It can be a challenge for producers to keep track of all of the various requirements. That’s where software production company RTW comes in with its full range of loudness solutions.

RTW will be demonstrating its new Continuous Loudness Control (CLC) software at this year’s NAB Show in Las Vegas. This signal processing software allows users to constantly control and regulate to a given program-loudness value, along with a definable loudness range with minimal obstacles. The major advantage of CLC’s complex adaptive morphing algorithm is its realtime capability. The CLC algorithm “learns” during processing about the dynamic structure and intention of the sound signal and adopts its processing constantly to predict for what comes next. The software is also able to handle most common DAW applications and meets EBU-R128 and all major global loudness standard specifications.

RTW is also announcing the release of version 4.0 of its Loudness Tools and Mastering Tools software. The new version adds support for Mac OS X 10.11 and provides user requested features like a selectable 12thoctave RTA, cinema loudness (TASA and SAWA), and free scalable instrument size. In addition, the new version allows the Loudness Tools and Mastering Tools software to be operated as a stand-alone version. RTW will also present software version 1.5 for TM3-Primus and USB Connect. With this version, RTW adds support for Mac OS X 10.11 and supports the recently released standard changes in the EBU Loudness Recommendation (EBU R 128). Users can now select to read both Smax and Mmax values. Short-term loudness measurement is a parameter to characterize and control the loudness of commercials, promos, etc.. RTW offers both functions as a freely selectable feature. Users may turn on or off one or both measurements, as needed.

RTW will be demonstrating these products and more at Booth C2336 during NAB Show 2016.

JVC is Bringing a Robotic PTZ Video-Over-IP Camera to NAB

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KY-PZ100W cameraVideo-production systems are becoming equally as compact as they are sophisticated. That’s great news for producers, as it gives them new opportunities to extend their abilities. JVC is helping to further the process with a new camera it’ll be showing off during this year’s NAB Show in Las Vegas. The camera is compact, powerful, and can be controlled remotely.

JVC’s new KY-PZ100 is the company’s first-ever robotic camera. Here’s a list of important features:

  • Ideal for studio or field applications
  • 3G-SDI and HDMI outputs
  • Features JVC’s unique IP-based communications engine that provides streaming HD video at a variety of bit rates with minimal latency
  • Streams up to 1080p/60 video with two-channel audio using SMPTE 2022 forward error correction
  • Integrated Zixi technology delivers reliable streaming performance with forward error correction and automatic repeat request

One of the KY-PZ100’s coolest features is its ability to be controlled remotely using JVC’s new RM-IP100 remote control panel, a web browser, or a variety of remote units that support VISCA protocol. JVC’s RM-IP100 controller can memorize more than 100 preset settings and positions. For installation versatility, the camera is available in black (KY-PZ100B) or white (KY-PZ100W) housings and can be mounted upside-down, if necessary.

JVC will have demo units of this camera at Booth C4314 during the NAB Show. The KY-PZ100 is expected to retail for $3995.00.

Wirecast 6.0.7 Can Live Stream to Facebook Video

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Wirecast logoIt seems like only a matter of time until every possible mode of communication is built into Facebook’s ever-expanding platform. The monolithic social network’s latest frontier to conquer is native video. Last year. Facebook began allowing users to upload longer-form static videos. Now, the company is offering live-streaming video to all users. Time will tell where Facebook will stand against competitors like YouTube in the online video space. Still, more producers are trying out Facebook as a video platform, and that prompted Telestream to update its popular video production suite Wirecast to work with Facebook video.

Wirecast users who upgrade to the latest version will be able to take advantage of all of the application’s standard features with Facebook video, including using multiple cameras, text overlays, transitions, and more. There are some Facebook-specific features, too. Wirecast users will be able to log in and send a video stream to Facebook from directly within the Wirecast User Interface. Once a stream is started, users will be able to see the number of live viewers, the names of followers who are watching, and a real-time stream of comments throughout the live broadcast. Once the broadcast is complete, the video will stay on users’ timelines like any other video post.

Wirecast 6.0.7 is available now. Learn more about the software with the latest release notes or get general information on Wirecast here.

Sennheiser and Apogee Partner to Offer MK 4 Digital for USB and iOS

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mk4digitalSennheiser is one of the world’s leading manufacturers of headphones, microphones and wireless transmission systems.

Apogee Electronics designs and manufacturers award-winning audio recording solutions that are amazing. The two companies have partnered to offer MK 4 digital USB for iOS.

Sennheiser will preview the new digital version of its MK 4 at prolight+sound in Frankfurt. The MK 4 is one of the audio specialist’s most popular recording mics. With high-quality Apogee A/D conversion and mic preamp technology, MK 4 digital connects directly to iOS devices, Mac and PC computers.

The large-diaphragm MK4 digital is the ideal partner for any mobile recording task requiring great sound quality with the typical warmth and detail of a true condenser microphone. The MK 4 digital is a must-have microphone for the home studio and in mobile recording, whether in the rehearsal room or on the road. It is delivered complete with a USB cable and a Lightning iOS cable for connecting to iPad, iPhone, or iPod touch as well as a microphone clamp and a pouch.

The microphone can be used with common media production programs such as Logic Pro X, Final Cut Pro, Adobe Premiere, Pro Tools or Ableton Live and iOS recording apps such as GarageBand and Apogee MetaRecorder. The MK 4 digital will become available from summer 2016.

Visit Sennheiser and Neumann at prolight+sound, Hall 4.1, Stand No. D11.

Telestream Bringing New Apps, Cloud Service to NAB 2016

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telestream-logoVideo products and services provider Telestream will be bringing several new products to this year’s NAB Show in Las Vegas. Lightspeed Live Stream and Lightspeed Live Capture are two new applications that deliver real-time, enterprise-class streaming and capture for media creators. Telestream Cloud is a video encoding SaaS (software as a service) designed to meet the needs of video production and post-production professionals.

Lightspeed Live Stream solves the problem of preparing real-time content for adaptive bitrate live streaming while Lightspeed Live Capture can independently record multiple channels of SD, HD, or a single channel of UHD video. Both applications can operate stand-alone on Telestream’s Lightspeed Live server but the greatest benefits are realized when coupled with Telestream’s Vantage platform for complete workflow orchestration. Users can concurrently stream, capture and process live content for consumption on a wide variety of platforms.

Telestream’s Cloud service offers high quality video transcoding for all formats and codecs, and dynamically scales in response to customer needs. The service utilizes an easy yet powerful API to automate and integrate workflows. File transfer and encoding times can be optimized from any location since Telestream Cloud uses multiple cloud service providers including Google Cloud, Amazon Web Services and Rackspace.

Telestream Cloud features certified ProRes presets to deliver high-quality video files that conform to Apple standards and ensures trouble free post-production on Apple’s Final Cut Pro platform, as well as other popular editing software packages.

Telestream will be demonstrating all of its new products and services at booth SL 4525 during NAB 2016.

ATSC 3.0 Will Be Featured at NAB 2016

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ATSC LogoThe Advanced Television Systems Committee (ATSC) 3.0 protocol will be on display at this year’s National Association of Broadcasters (NAB) Show in Las Vegas. ATSC 3.0 is the newest version of this protocol that covers both broadcast and internet-based transmissions. ATSC 3.0 is important because it allows for both 4K and high dynamic range (HDR) video.

Live transmissions using the ATSC 3.0 protocol will be on display at the Broadcast Pavilion and Consumer Experience sections of the NAB show. These transmissions will originate on the NAB floor and sent to prototype receivers. There will also be plenty of ATSC 3.0-ready equipment on display, including encoders, signal analyzers, multiplexers, and more.

The committee responsible for creating ATSC 3.0 approved it as the new standard just last week:

The Advanced Television Systems Committee(ATSC) developing the Next Generation Broadcast Transmission Standard (ATSC 3.0) has voted to approve as a Full Standard the key element of the Physical Layer, the so-called “Bootstrap” or the Discovery and Signaling feature of the standard. The Bootstrap includes the designs developed by ONE Media and supported by other broadcasters and equipment manufacturers, including notably the Pearl TV consortium of broadcast companies and the largest global television manufacturer, Samsung. With this approval, the first essential piece of the new paradigm in broadcasting is set.

If you’re attending the 2016 NAB Show and you’d like to learn more about ATSC 3.0, you can find related exhibits and vendors by using this predefined search on the NAB Show website.