Boss announced the AD-10 Acoustic Preamp, a new professional preamp/DI pedal for acoustic-electric guitar. The dual-channel AD-10 features the latest generation of Boss’ Acoustic Resonance technology, which restores natural acoustic tone in amplified acoustic stage instruments.
The pedal also includes numerous tone-shaping tools, onboard effects, and a looper, plus newly developed functions to control feedback with minimal tonal coloration. Hugely powerful yet simple to use, the AD-10 gives serious acoustic players everything they need to achieve rich, organic tones in any performing environment.
An unplugged acoustic guitar produces a complex, full-bodied tone that can’t be reproduced by the standard pickup systems installed on most stage guitars. Using proprietary Boss technology, the AD-10’s standout Acoustic Resonance feature solves this issue by analyzing the input signal in real time and employing advanced processing to recreate the guitar’s naturally resonant acoustic tone.
The AD-10’s Acoustic Resonance offers the deepest implementation to date, with more powerful processing, three resonance types, and the ability to balance the tonal character to suit the needs of different instruments.
Feedback is another common problem with amplifying acoustic guitars on stage, and the AD-10 includes multiple layers of feedback protection to address these issues. With a twist of the feedback reduction knob, the user can engage newly developed Boss technology that seeks out and suppresses the offending frequency while continually maintaining balanced overall tone.
For deeper feedback problems, the AD-10 includes sophisticated notch filters that can be tuned manually or set for automatic scanning to eliminate feedback in the background.
Samson, an industry pioneer in professional audio solutions, announced the availability of the highly anticipated Go Mic Mobile, the first professional wireless microphone system that connects directly to smartphones without the need for cumbersome adaptors or interfaces.
The new wireless system turns a phone into a pro-level video camera capable of capturing high-definition audio anywhere, making it the ideal mobile mic for filmmaking, podcasting, vlogging, live streaming and YouTube production. Go Mic Mobile is available now for $249.99 at B&H, Fry’s and Amazon.
Samson’s Go Mic Mobile captures audio via a compact, dual-channel receiver that mounts and connects directly to a smartphone or DSLR camera. The dual-channel receiver allows users to transmit and mix digital audio on two separate channels. The receiver’s rechargeable lithium-ion battery offers up to thirteen hours of high-definition wireless operation without draining a smartphone’s battery.
Go Mic Mobile plugs directly into both iOS and Android devices via the included Lightning and micro USB-C cables respectively. It also comes with a shoe mount adapter that easily attaches the dual-channel receiver to a DSLR camera or professional camcorder.
Go Mic Mobile transmits uncompressed, low-latency audio and can operate up to 100′ utilizing the 2.4GHz frequency band. It’s 10Hz-22kHz frequency response ensures the highest quality audio reproduction, while a bitrate of 48kHz provides a greater than CD-quality sound. It also features a switchable 1/8” headphone/line output with volume control monitoring or connecting to an analog input (3.5mm cable included).
360fly Inc., maker of the category-leading, single-lens camera that captures stitchless 360-degree video, announced pre-orders of all its new 360fly 4K PRO camera with commercial availability starting in the Fall of 2017.
The 360fly 4K PRO camera changes the landscape of professional live streaming with its continued power source and immersive 360-degree viewing experience. Unlike the current 24/7 live streaming options, with the 360fly 4K PRO camera, viewers now have the ability to see all around.
The 4K PRO streams continuous 360-degree 4K video over Wi-Fi or via the HDMI 1.4 cable in native equirectangular format (for Facebook or YouTube). The USB 2.0 cable provides the 4K PRO’s lasting power supply, optimized without overheating, and when not connected via the USB 2.0 cable, the camera has a stand-alone recording time of up to 1.5 hours, and stand by time of up to 14 hours.
At $799, the ruggedized and sealed metal housing 4K PRO camera pairs with the free 360fly Android and iOS mobile apps and delivers the same smart features as the 360fly 4K camera.
Specs and Features include:
4K, 2880 x 2880, @ 30 fps
Up to 1.5 M shock resistant
Integrated USB 2.0 Input Cable
Integrated HDMI 1.4 Output Cable
One Operation Key (Power ON/OFF, Recording Start/Stop)
Accelerometer, E-Compass, GPS, Gyroscope
IP67 Rated For Protection Against Splash and Blowing Rain (submersible up to 1M)
There are a lot of ways to tweak and process an audio project. EQ, compression, and filters are just some of the tools producers use to improve or alter the overall sound of a mix. One tool that’s been a mainstay for decades in many recording studios is the aural exciter. Aural exciters are used most often to accentuate certain low or high-end frequencies that tend to really catch the human ear. Aural exciters are commonly used towards the end of a signal processing chain to bring the extra clarity and oomph that producers often employ to get the attention of listeners.
Like many things in the audio production universe, there are lots of aural exciters on the market, ranging from under a hundred bucks in price to thousands of dollars per unit. And while it can be good to have a hardware aural exciter in some settings, it’s often just as good to have the software equivalent. That’s what Waves has done with its Aphex Vintage Aural Exciter:
A true groundbreaker, the original Aural Exciter was highly regarded for its ability to increase and enhance presence, brightness, and vibrancy on vocal and instrumental tracks alike. It was even credited as a ‘session player’ on best-selling albums by the likes of Jackson Browne, Linda Ronstadt and James Taylor, engineered by Val Garay, who worked closely with us on the development of the plugin.
The Aphex Vintage Aural Exciter Plugin is on sale now. It normally retails for $299 but is available for a limited time at the massively reduced price of just $59. Learn more, and purchase the plugin thru the link above.
In today’s modern media production environments, you can never have enough displays. And while it does look super cool to put together a system with multiple high-res monitors, doing that can rack up an impressive price tag pretty quickly. Fortunately, electronics manufacturer Monoprice is here to help creators build their multi-display arsenals. Next week. Monoprice will release its Ultra-Slim Aluminum 27″ UHD IPS 4K display:
The ultra-slim, aluminum bezel houses a Grade A+ IPS glass panel, which is backed by our Pixel Perfect Guarantee. The monitor features two DisplayPort 1.2a inputs, with AMD’s FreeSync technology, and two HDMI® inputs, giving a level of flexibility and connectivity that is unsurpassed.
More details on this Monoprice display:
Features a maximum resolution of 4K@60Hz
Adjustable stand can be removed to allow access to the 100×100 VESA mounting points for mounting to a wall or desk mount
Aluminum bezel houses an Grade A+ IPS glass panel from LG
Features two DisplayPort 1.2a inputs, with AMD’s FreeSync technology, and two HDMI® inputs
Features ultra-wide 178° horizontal and vertical viewing angles
Display ships with stand neck, stand bases, M4x10 Screws (x3), M4x6 Screws (x3),
HDMI cable, AC power adapter, AC power cord, and user’s manual
Monoprice hasn’t stated an exact date for when these displays will be available for purchase. But a recent e-mail sent by the company stated that they’d be on the market “next week.” The Monoprice Ultra-Slim Aluminum 27″ UHD IPS 4K display will have a retail price of $399.
Line 6 has announced that Helix Native has arrived. It is a critically acclaimed guitar and effects processor in a plug-in format. You can try Helix Native for 15 days absolutely free – and discover what it can do for you.
The Helix Native guitar and effects processing plug-in features the authentic sounds of vintage and modern amps, cabs, mics, and effects, as well as extensive signal-routing capabilities and an intuitive interface.
The Helix Native plug-in provides a limitless creative palette for inspiring tone creation, with 60+ amplifiers, 30+ speaker cabinets, and a wide range of 100+ effects. The interface provides a fast and intuitive tone editing workflow, so you can instantly access your entire signal chain and quickly tweak your settings. Helix Native also supports 3rd party impulse responses (IRs), offering even greater tonal flexibility.
Not just for guitarists, the Helix Native plug-in is also ideal for producers and engineers, sound designers, film/TV/game composers, electronic musicians, and anyone else seeking to craft new and exciting sounds and special effects. And preset compatibility across the entire Helix family allows Helix hardware users to bring studio-created sounds to the stage by simply transferring their plug-in presets to their Helix Floor, Helix Rack, or Helix LT processors.
The Helix Native plug-in features broad compatibility with popular DAWs, offering powerful 64-bit performance on AAX, AU and VST3 platforms. It also tightly integrates with Helix hardware so you can take your presets from the studio to the stage – and back again.
EISA is the European Imaging and Sound Association. It has announced the winners of the 2017 EISA Awards. Sony took home “Best Product” in six of the 19 categories, making Sony the biggest winner of the year. With four award-winning cameras, including the α9 taking “Best Camera,” and two award-winning lenses, Sony led across the board.
Best Professional Compact System Camera Lens – Sony FE 70-200mm f/2.8 GM OSS
Best Compact System Camera Lens – Sony FE 100mm f/2.8 STF GM OSS
Best Superzoom Camera – Sony RX10 III
Best Compact Camera – Sony RX100 V
Best Camera – Sony α9
Best ProSumer Compact System Camera – Sony α6500
EISA is a unique association of 53 special interest magazines from 25 countries. The European EISA Awards started in 1982 when the editors-in-chief from five European photo magazines came together to select “The Camera of the Year” for the first time.
The EISA Awards annually celebrate new products that combine the most advanced technology and desirable features with class-leading performance. The EISA Awards extend from the most affordable, high value products to the most aspirational expressions of modern consumer electronics.
Award categories change from year to year, reflecting the evolution of product design and connectivity, but every EISA Award winner remains the very best in its class. The sheer strength in depth of EISA’s members ensures the EISA Awards logo carries tremendous weight with all informed consumers.
JamStack is the world’s first guitar amplifier to attach to the base of any standard electric guitar. This means that you’re up and running in seconds and aren’t bound by cables or power outlets. JamStack has been fully funded on Indiegogo. You can preorder JamStack via Indiegogo for $199.
The JamStack is made up of three pieces of equipment: Speaker system, smartphone mount, and patch cables. All of which are built to last. Weighing under 2lbs., the JamStack can fit easily into most guitar or travel cases and lasts for over 8 hours. The JamStack also acts as a fully functional portable Bluetooth speaker.
You need a JamStack if…
You want to be able to play the electric guitar anywhere, anytime
You find set-up time limits how often you can play, and stunts your inspiration
You hate the sound of turning down traditional amplifiers
You enjoy playing along to backing tracks
You want any effect pedal, loop station, and recording studio all at your fingertips
You’re already in the market for an ultra-premium Bluetooth speaker
The rechargeable battery in JamStack will get you 8 hours of solid play time. JamStack mounts on practically every standard guitar electric guitar body. What about acoustic guitars? JamStack can be plugged into anything outputting a 1/4” patch cable, but will not mount on an acoustic guitar due to its width.
Fender Musical Instruments announced the release of its newest addition to the Artist Signature Series: the Jimi Hendrix Monterey Stratocaster; it honors the late and great rock icon, whose persona and legacy is not only synonymous with the Fender Stratocastser, but also also rock ‘n’ roll at large.
Jimi Hendrix took the world by storm with his incredible 1967 Monterey Pop Festival performance, which he concluded with the sacrificial burning of his now-iconic, hand-painted Stratocaster. First revealed at Summer NAMM 2017 in Nashville, Tenn., and available only for the remainder of this year, the new limited edition Jimi Hendrix Monterey Stratocaster celebrates the 50th anniversary of this milestone in music history.
The Jimi Hendrix Monterey Stratocaster, priced at $899.99, captures all of the energy of his unforgettable set-ending finale at the Monterey International Pop Festival in 1967. An homage to the spectacular performance that literally burned its way into our pop culture conscience, the Jimi Hendrix Monterrey Stratocaster faithfully replicates his hand-painted psychedelic artwork on the body of the guitar. A trio of vintage-style single-coil Stratocaster pickups gives this ’60s-style, Fiesta Red Strat its classic Fender sound.
Bell-like and articulate, it has plenty of singing sustain for soloing. The “C”-shaped maple neck bears a vintage-style 7.35” radius pau ferro fingerboard with 21 vintage-sized frets for a playing feel just like the original. The six-screw synchronized tremelo is perfect for unleashing dive-bombs and other sonic expressions. Fully authorized, the Stratocaster features an exclusive etched Authentic Hendrix neck plate.
Recording a multitrack live session, monitoring that session, and mixing it usually requires a bunch of different pieces of gear to get the job done. That’s certainly nothing new and it’s not even that bad if you’ve got a dedicated studio space available when you need it. But it’s not always possible to get access to that perfect combination of dedicated recording space stocked with the right equipment. In those cases, clever producers rely on creative improvisations that might be good enough. But it never hurts, especially in these instances, to be able to simplify things as much as possible.
With the LiveTrak L-12, you can finally mix, record, and monitor with a single piece of gear. It’s the only digital console that lets you mix your live performance and record up to 12 discrete channels – all while providing five individual custom headphone mixes.
Some highlights of the LiveTrak L-12:
12 discrete channels (eight mono plus two stereo)
3-band mid-parametric EQ and 16 built-in send effects for each channel
Mono channels have dedicated compressors
12-segment LED metering
5 monitor outputs provide unique mixes, so every performer can create and save a mix that’s tailored to their preferences
Save up to nine different scenes and recall custom settings automatically
Use the built-in slate mic to record comments or talk-back
Program the built-in metronome to your desired tempo
14-in/4-out USB audio interface with flexible routing options
The Zoom LiveTrak L-12 is available for preorder now and retails for $599. The device is expected to ship next month.